Rental title, code B (click here for general rental information). There is no score available for purchase for this title.

Rental title, code C (click here for general rental information). The score listed available for purchase is in miniature score format.

We present this standard of the horn repertoire in a new edition with many corrections and without the infamous impossible page turn found in other editions, which has caused so much panic over the years.

Rental title, code C (click here for general rental information). The score listed available for purchase is in miniature score format.

Solo parts for euphonium and tuba which may be used with these materials are available as T-DC1-E and T-DC1-U

Winthrop University professor Thompson explores a triadic motive in a work which lies comfortably for the horn and is accessible to the audience, and extracts from the horn a variety of colors without resorting to the usual litany of special effects.

This colorful, virtuosic work is a prime example of contemporary music idiomatic for the horn. The three movements include "Pronouncement and Assemblage", alternatively lyrical and florid, the Bartokian "Cadences of a Darkened Wood", and the reflective soliloquies and frenzied horn calls of a "Dawn Foray". Hornists who enjoy performing the Gordon Jacob Concerto will love Venatic Chronicle.

This brilliant, audience pleasing duet is based largely on Spanish motives, in a similar vein as the Buyanovsky España. However, in addition to all the flamenco bravura it includes beautiful free, mellifluous sections. A great change of pace from all the baroque and classical duet repertoire.

Rental title, code D (click here for general rental information). The score listed available for purchase is in miniature score format.

Rental title, code F (click here for general rental information). The score listed available for purchase is in miniature score format.

Miniature score format

A collection of exercises prepared by the solo hornist of the Barcelona Symphony Orchestra, ranging from the most basic to the highly virtuosic. Designed as a point of departure for those who may not have a regular warm-up routine already established, and as a resource for those who wish to move beyond simple maintenance during their warm-up session. Text in English and Spanish.

This is the ‘repertoire tome’ you have heard about: we present in one huge volume (over 1000 pages) virtually the entire orchestra audition repertoire for both high and low horn, reprinted from the original orchestra parts. The original parts have not been excerpted, cut, edited or otherwise adulterated, and we include many hard-to-find gems, such as the "Long Call" from Siegfried, in context. And we package them in a quality D-ring binder, so that you can remove and carry only those parts needed for a specific audition, lesson, practice session, etc.. This popular collection is a must for any hornist seriously preparing for an orchestral career, and it has become a required text at many institutions. Click here to see a complete list of the contents of this edition, or here to read the introduction.

This graceful southern traditional hymn makes an attractive work for horn quartet, and employs the extended range of the instrument as a challenge to the first and fourth players.

This energetic, driving quintet is impressive for audiences and great fun for the hornists. The high tessitura is demanding on the first and third hornists, but the effect is brilliant. An important addition to the limited repertoire for horn ensemble by women composers.

The distinguished American composer brings us this light-hearted potpourri of quotations from the horn repertoire. The ideal encore piece for an audience of hornists and horn aficionados.

The horn quartet version of this jovial survey of the horn repertoire ’Top 40’ shares quotations equitably among the four parts, and is perfect for any horn reunion. It is written to be equally effective when played by 4, 8, 12, 16...

Text in English/German/Japanese

In French/Italian/Spanish

Originally for cello and piano, transcribed by Scott Brubaker for horn and piano

Originally for cello and piano, transcribed by Scott Brubaker for horn and piano